You will know when it exists -- Obscure journalism direct from our man on the ground.
Saturday, 18 August 2012
Wednesday, 15 August 2012
CASTLE ROCK CLAMPDOWN - Heavy handed policing at rural music festival
I was asked to do a write up of Castle Rock 2012 for PL One Five magazine (a publication put out by a group of volunteers that work with the Launceston community), so I did. The first draft was returned to me and I was told to 'tone it down a bit' and 'make it more positive', so I did. I have just been told that it is still 'too provocative' and that 'it probably wont make it in'. Well boo hoo. I have a blog and I'm not afraid to use it.
'Publish at your peril' |
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Here is the toned down more positive second draft...
Launceston, Cornwall
Saturday 7th July 2012
The weather in the UK throughout summer is
invariably disappointing. Some say this is the core reason that summer in the
UK is festival season. Music as an antidote to disappointment.
On a recent overcast July morning an
International Journalist lay, surrounded by empty lager bottles, asleep on the
floor of a squalid flat somewhere on Launceston’s Race Hill. At 9am an
associate awakened him with a slap. “Come on! It’s time” the smoky voice
shouted, “We’ve got work to do.” Fifteen minutes later this under-enthused
reporter stepped out into the drizzle and ascended the hill to the entrance of
the town’s derelict fortification. Inside the grounds, strewn on the damp grass
were poles and tarpaulin - the makings of the Barefoot Volunteers marquee.
Putting up a gazebo is not comparable to
the science of launching rockets but -- bemused by the early hour and absence
of espresso -- the volunteers tasked with erecting this particular oversized
tent claimed to have felt like apes in a NASA laboratory. Eventually the Barefoot
marquee took its form and provided respite from the worsening conditions. Soon
camping chairs and a table arrived and copies of PL One-Five magazine were set
out for distribution. And throughout the day Barefoot’s shelter offered perhaps
the best seat in the house being within earshot of the Marquee Stage, where Rob Ramplin’s new band Blue River were standouts and got
things pumping around lunchtime (get their debut EP here).
At this point the International Journalist
disappeared and a rumor circulated that he had been sighted entertaining a
well-to-do family in a centrally-heated cave in Ashwater. When he returned at 5.30pm
the sky had ceased spitting, the castle grounds had filled with the parish’s pleasure
seekers and the sun was winking through the clouds. Music blasted out from the impressive
main-stage whilst an alternative tune drifted out of the Marquee Stage and smiles could be seen
all around.
As the sun began to set Patrick James Pearson
band (interviewed in PL One-Five issue 1) grabbed the audience by their baby-makers
and a lake of Launcestonians shook to the uplifting tattoo of “I AM A RACE-OR,
YES I AM A RACE-OOOOOR”. Energized and in good spirits, the crowd mingled,
danced, laughed, sung-along, enjoyed or re-lived their youths, and drunk pint
after pint from the well-manned beer tent.
By this point, somehow - and possibly due
to the all-encompassing gaiety - a white man with dreadlocks paid the entrance
fee and unbelievably was allowed in by the cheerful security guards. As the
fiend conversed with a group made up of local workers, event stewards and one member
of the global press, a police strike force swooped and lead the pseudo-Rasta
away in handcuffs. Unfortunately the damage had already been done. Fear and
anxiety hung heavy in the air as onlookers realized there were now only half a
dozen remaining police officers left to oversee the family event.
Last known photo of the accused. |
Discussion raged around the Barefoot
encampment. Volunteer Nev Akroyd said that what he observed was “certainly over the top in number of
officers for the size of the event. A domineering presence, which was
unwarranted at a small local festival.” and Sophie Rebecca Rowe added “I
for one would be totally put off future events in the town where there will be
a police presence if this is the way they treat people.”
The debate reached a general consensus that
echoed the ideas formulated by urban planner and theorist Jane Jacobs about
natural surveillance. Jacobs proposes that the mixed use of community spaces is
the key to safer neighborhoods – different types of people using public areas
throughout the day, effectively allowing a community to monitor and regulate
itself – meaning no need for harsh laws or heavy handed policing. However, this
type of gibberish day-dreaming has been overlooked by the powers-that-be who by
now, you can rest assured, are considering drafting the army in to secure the
castle’s perimeter for next year’s event – with a practice exercise being tested
in London at the Olympics.
Castle Rock 2012 poster. |
The minor kafuffle may have been an additional
catalyst to the increasing alcohol consumption but did not deter the bands who
combated any negative vibrations with beats, melodies and love. Cornish-punk-rockers
CROWNS roused our stumbling, bleary eyed International Journalist into a
whiskey-stupor that did not end until the following day when CROWNS went on to
be the support act for Blink 182 at the Eden Project. But that, dear reader, is
another story all together.
After an absence of four years the return
of Castle Rock Festival was much like welcoming home an old friend; one who has
become proficient at playing instruments whilst away. Fingers crossed Castle
Rock will become a permanent fixture and return each year to brighten up
Launceston’s summertime with line-ups that demonstrate just how much locally
cultivated musical talent is out there.
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Labels:
2012,
Castle Rock,
Community,
Crowns,
Dreadloack,
Launceston Police,
Magazine,
PL One Five,
PL15,
Public,
Rasta
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